The Invisible Thread - Making Comics by Charles Houghton

The Invisible Thread - Making Comics by Charles Houghton

Page Turns: How Comic Masters Keep Readers Desperate for More

The killer technique that keeps readers hooked. The difference between a story someone sets aside and one they can't put down often hinges on a single moment: the page-turn.

Charles Merritt Houghton's avatar
Charles Merritt Houghton
Jan 26, 2025
∙ Paid

The Psychology of "I NEED to Know What Happens Next"

TV showrunner Vince Gilligan (Breaking Bad) knows something most creators don't: humans are hardwired to hate unfinished stories. That nagging need to know what happens next isn't just annoying—it's biological. Your brain literally releases stress chemicals when a story is interrupted at the right moment. J.J. Abrams has his 'mystery box, ' and our curiosity is his success. Let's dig a little deeper.

Why Cold Opens Work

Ever notice how shows like Lost or Breaking Bad start with an explosive scene, then jump back to "24 Hours Earlier"? That's not random. They're exploiting your brain's need for closure. Comics can do this even better because YOU control the exact moment of revelation. It’s also a great way to start with action and backfill important details that create meaning and a satisfying experience for readers.

Are you wondering what just happened? what happens next? ©2024 CMH

The Three Golden Moments of Page Turns

1. The Question Turn

Master storytellers Will Eisner and Rick Remender teach us that the most potent page turns start with questions:

  • Show a character's shocked reaction

  • Hide what they're looking at

  • FORCE the reader to turn the page to see it

Example: Page 1 ends with your hero's eyes going wide. Page 2 reveals the monster. Simple? Yes. Effective? ABSOLUTELY.

2. The Action Turn

Frank Miller's secret weapon in Sin City? He splits critical actions across pages:

  • Wind up the punch on the bottom of one page

  • Land it on the top of the next

  • The reader's mind fills in the motion

Your readers physically participate in completing the action. That's storytelling GOLD.

3. The Revelation Turn

Stan Lee was a master of the revelation turn. Honestly, all great writers use this trick; Locke and Key comes to mind. The technique:

  • Plant a mystery early

  • Build speculation

  • Turn the page to SHATTER expectations

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