The Sympathetic Con: Mastering Character Appeal in 'The Big Short'
Unravel the secrets behind Adam McKay's character magic in 'The Big Short,' and learn to craft multi-dimensional characters that resonate deeply with readers.
Dissecting 'The Big Short,' Adam McKay's Masterpiece, which I adore watching again and again. This article is my effort to unravel my attraction.
'The Big Short' is a crash course in Crafting Sympathetic Characters, taught by a professor who's slightly cynical and has a penchant for financial disaster movies. Think Godzilla in corduroy. Let's revisit our ensemble of financially savvy yet morally complex characters and what writers can learn from how the writer draws us into them, persuading us to take their side.
Character Breakdowns
Michael Burry: The Quirky Visionary
Burry's character thrives on an intriguing blend of quirk, brilliance, and neurodivergence. His glass eye and social awkwardness are more than just sympathy triggers; they add depth and relatability. For writers, the takeaway is clear: infuse your characters with unique traits or challenges that humanize them, but ensure these traits contribute to their larger narrative purpose. In this case, it’s not Michael’s fault he is the way he is.
Jared Vennett: The Charismatic Narrator, dare I say, The Charming Rogue
Vennett is a testament to the power of charm. Writers note that a charismatic character can draw readers in, even if they're not traditionally 'likable.' Use first-person narration or a strong voice to make a character's perspective compelling, regardless of their moral alignment. In other words, by acknowledging us by knocking down the fourth wall, he's made us confidants, enrolling us in his financial venture– you know, honorary members of the team.
Mark Baum: The Grump with a Heart
Baum's transformation from a one-dimensional grump to a complex character with a tragic backstory is a masterstroke in character development. Writers should remember that a character's evolution can be powerful in building sympathy. A well-placed backstory can add layers and induce empathy, transforming audience perception. He starts as a nasty curmudgeon, gets humanized when his pain from his brother's death is revealed, and finally Mark takes the side of the little guy– the American taxpayers, namely us, who inevitably suffer when the rich use our money to bail themselves out. Kudos to Charles Randolph, Adam McKay, and Michael Lewis for pulling it off in the screenplay.
Charlie Geller and Jamie Shipley: The Underdogs
Everyone loves an underdog story. These characters are relatable because of their ambition and naivety. When creating underdog characters, emphasize their determination, the obstacles they face, and why they're the bright little clownfish swimming through a shark-filled sea. The American affinity for the underdog is well documented. This character trick builds natural sympathy and encourages readers to root for them.
Actionable Tips for Crafting Engaging Characters
Now, let's expand beyond 'The Big Short' and explore practical, actionable tips for writers looking to create engaging and captivating characters:
Build Depth Through Flaws and Strengths: Characters should mix strengths, weaknesses, and quirks. This complexity makes them more human and relatable. For instance, a brilliant detective might be socially awkward, making him more exciting and realistic. Perfect all the time? You reader will call 'Bullshit'Â in minutes.
Utilize Transformational Arcs: Characters should change and grow. This journey doesn't have to be drastic but should be noticeable. A character who learns from their mistakes or overcomes a challenge will engage the reader more deeply.
Create Relatable Motivations: Understand what drives your characters. Motivations rooted in universal themes like love, revenge, or the pursuit of justice can create a strong connection with readers.
Employ Backstories Wisely: A well-crafted backstory can explain a character's actions and attitudes. But beware of info-dumping; reveal backstories in small, relevant snippets.
Dialogue as a Characterization Tool: Dialogue isn't just about moving the plot forward; it's an opportunity to reveal character. How a character speaks – their tone, word choice, and even their silence – can say a lot about them.
Contrast with Other Characters: Use the dynamics between characters to highlight their traits. A calm character seems even more composed than a hotheaded one. Think Vinny versus Mark.
Show, Don't Tell: Instead of telling readers a character is kind, show them performing a kind act. Actions often speak louder than descriptions. The cellphone on the ledge scene is brilliant.
Make Them Actively Pursue Goals: Characters should be active, not passive. Even if their actions lead to mistakes, it's more engaging than a character reacting only to the world around them. We can forgive a wrong move, but the audience hates no move.
Employ Moral Ambiguity: Not all characters must be clearly good or evil. Moral ambiguity can make characters intriguing and unpredictable. The Big Short is low on black capes and mustaches but chock full of ambiguity and shades of grey. Not 50 shades, though.
Use Setting to Reflect Character: The environment can reflect and enhance a character's traits. A cluttered office can indicate a disorganized mind, for instance. Lots of trading from couches and pubs here.Â
Introduce Conflicts and Challenges: Conflict is the heart of drama. Characters facing and overcoming challenges keep readers engaged. Mark getting a cab becomes a conflict; add it whenever you can.
Understand Psychological Realism: Characters should reflect realistic human psychology. Understanding basic human psychology can help create more believable and relatable characters. Jerod tells us he's not a hero. His honesty hooks us.
Play with Reader Expectations: Sometimes, subverting tropes or reader expectations can make a character more captivating. The seemingly timid character who takes a brave stand can be more engaging than the expected hero type. Start collecting seeds and investing in water. (wink, wink)
By incorporating a few of these elements, writers can craft characters that not only carry the narrative but also linger in the minds of their readers long after the story ends. McKay did this for an ensemble cast, but this is a 'flex.' Remember, the most engaging characters are those that feel real, complex, and compelling – a reflection of the multifaceted nature of humanity itself. If you want to do that for your whole cast, great. Just don't let your story, the action languish for half your book while you build that up. Do it along the way through flashbacks and dialogue.
Happy Storytelling, Amigos.
Charles Merritt Houghton
9 January 2024
Hmm... three cowards from Hollywood defending a poor Mexican village. That's some sympathy building; maybe I'll look there next.